Comments on: Noise is Uncool http://toestubber.com/archives/21 Music That Makes You Go "Ouch" Tue, 06 Jan 2009 04:43:05 +0000 http://wordpress.org/?v=2.6.1 By: peecat http://toestubber.com/archives/21#comment-68 peecat Mon, 14 Nov 2005 05:25:28 +0000 http://toestubber.com/?p=21#comment-68 Vom fucking rule. If anyone can write a better song than "Electrocute Your Cock", buy it. Vom fucking rule. If anyone can write a better song than “Electrocute Your Cock”, buy it.

]]> By: donnie sfumato http://toestubber.com/archives/21#comment-62 donnie sfumato Wed, 09 Nov 2005 23:07:02 +0000 http://toestubber.com/?p=21#comment-62 gotta love those days before it became dangerous to trade sweat, spit and blood, when many punks still had longish hair and just looked like awkward rock and rollers. this band seems like that type, crude for the sake of it, busting out, "we are punk", before 'punk' figured itself out and streamlined and splintered into a million 'which shit is cool these days?' directions. at that time it seemed enough just to BE punk, because half of 'em also had that same ridiculous STYX record hiding somewhere in their parents' house, and that was reason enough to drive a safety pin in your ear. i too had sent away for some records from Columbia Record & Tape. And they were all records i knew i wouldn't like, and despite my best attempts to the contrary, i had been right, they sucked: kansas, boston, styx. why the hell couldn't ya get one cool record from that stupid club? well, i guess we know why. then in the excitement of my newfound punk identity, i traded in a bunch of my old 'album' rock records. some of those trades i regret to this day, i.e. a recently purchased copy of "ELECTRIC LADYLAND". i suppose Hendrix was perhaps a real symbol of what i was trying to leave behind: lead guitar oriented long-hair rock with blues influence. later-- D.S. gotta love those days before it became dangerous to trade sweat, spit and blood, when many punks still had longish hair and just looked like awkward rock and rollers. this band seems like that type, crude for the sake of it, busting out, “we are punk”, before ‘punk’ figured itself out and streamlined and splintered into a million ‘which shit is cool these days?’ directions. at that time it seemed enough just to BE punk, because half of ‘em also had that same ridiculous STYX record hiding somewhere in their parents’ house, and that was reason enough to drive a safety pin in your ear.

i too had sent away for some records from Columbia Record & Tape. And they were all records i knew i wouldn’t like, and despite my best attempts to the contrary, i had been right, they sucked: kansas, boston, styx. why the hell couldn’t ya get one cool record from that stupid club? well, i guess we know why. then in the excitement of my newfound punk identity, i traded in a bunch of my old ‘album’ rock records. some of those trades i regret to this day, i.e. a recently purchased copy of “ELECTRIC LADYLAND”. i suppose Hendrix was perhaps a real symbol of what i was trying to leave behind: lead guitar oriented long-hair rock with blues influence.

later—D.S.

]]> By: monty http://toestubber.com/archives/21#comment-61 monty Wed, 09 Nov 2005 22:44:29 +0000 http://toestubber.com/?p=21#comment-61 i love vom - never knew that much about their history, just that meltzer and future samons were in the band and got the grey market (though, prob. a bootleg) version of the single... wish i had more to add, but i do not for some reason. i love vom – never knew that much about their history, just that meltzer and future samons were in the band and got the grey market (though, prob. a bootleg) version of the single…

wish i had more to add, but i do not for some reason.

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